Each year our exhibitors bring rare, beautiful and unusual items for sale.

As we have not had a fair since 2019 due to the pandemic, our booksellers have curated many lovely and desirable books to exhibit.

Here are just a few of the exhibitors' highlights you can expect to see at the Fair in 2022!

There are a number of pages of highlights. To browse all the highlights - choose a page from the list below.

You can also check the highlights listed under your favourite booksellers in the exhibitor directory

Very early monastic bible leaf, Late 11th - early 12th century. Beautiful Carolingian script.
A late 11th century. Bible leaf, Italy, 1075-1125 with an archetypal Carolingian script. Hair follicles from the animal used for the parchment are clearly visible. The leaf's margins have been cropped to become a flyleaf in a slightly smaller volume at a later date and the four brown marks, one near each corner, were caused by the rusting of metal bosses in the new volume’s binding. The text is from the First Book of Samuel, chapters 24 & 25. A remarkable example of large, very early Italian monastic Bibles with clear, rounded and generously spaced late Carolingian minuscule script.
Les Maitresses
The only complete work of Jules-Georges dit Jean Floux (1855-1892), French poet, journalist, and member of the Montmartre group Le Chat Noir. This copy inscribed by Floux to Benjamin Constant (1845-1902), one of the illustrators, and in a unique art nouveau binding signed by Louis Deze (1857-1930). Deze bindings are rare with many destroyed during World War II. The Mistresses is a “collection full of exquisite verses and promises that the author would certainly have kept, if the cruel death had not come to strike him in full youth” (Bertrand Millanvoye: Anthologie des poètes de Montmartre).
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Princess Cover Papers Windsor Locks, CT: C.H. Dexter and Sons, n.d. circa 1895 Trade catalogue: from the paper mill of C.H. Dexter & Sons, established in the early 1800s, with examples of nineteen colour paper samples, beautifully illustrated in the style of art nouveau. Stationery fetish aside, this is an important document in the development of printing history, with historical and cultural significance. Quarto, bound in pictorial wrappers, sewn, original ties intact. rubbed on rear panel and nicked at edges, a very good copy indeed, clean and unmarked within.
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