Highlights

Each year our exhibitors bring rare, beautiful and unusual items for sale.

Here are a sample of the wide range of printed materials that were available at the 2024 Fair. If you are interested in these, please contact the exhibitor, they may still be available

2025 Highlights will be posted in June 2025


Waratahs and Flannel Flowers c1894-'97 by Margaret Flockton
$8500
Watercolour 36 x 42 cm Signed; inscribed on reverse Waratahs and Flannel Flowers, Australia Provenance: Private collection UK until 2021 This watercolour was probably No. 186, Wild Flowers, N.S.W., £18.18.0, Spring Exhibition, Art Society of NSW, 1897. It was also exhibited and sold, at the Exhibition of Australian Art, May, 1898, Grafton Galleries, London. No. 134, Some Wild Flowers, £18.18.0 Margaret Flockton (1861-1953) was Australia’s first and most celebrated professional botanical artist. We have limited copies of the excellent biography on the artist for sale Margaret Fl
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Richard Hussey Shaw
$15000
Watercolour and gouache 31 x 42.5 cm Signed R. H. Shaw and dated indistinctly Provenance: Private collection until 2005 A later version of this painting titled South Australian Blacks in Full War Dress 1891 is in the collection of the Art Gallery of South Australia Shaw arrived in Australia from England c1858 and settled in Adelaide. He was the son of Captain George Reynolds Shaw. He was a watercolour and scene-painter, produced watercolour landscapes and sketches of Aborigines in South Australia.
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Woodblock Printed Triptych of the Tsukiji Hotel in Tokyo
$2750
by Utagawa Kuniteru II Superb woodblock printed triptych showing the first Western-style hotel in Tokyo, the Tsukiji Hotel, built in 1868, but sadly destroyed by fire in 1872. Titled in Japanese and English, 'Plan of Hotel at Yedo, T'Skege [Tsukiji] 1868'. [Tokyo]. Publisher unknown. 1868. Each panel approx. 37 x 25cm. In very good condition. Minor age wear. Centre panel has one small hole at upper left. Left panel has two very small holes at upper right. Otherwise very good. Unbacked with nice bleedthrough.
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Showing the track of Cook’s ‘Endeavour’ voyage
$17000
A pocket globe after Herman Moll. Herman Moll (?1654-1732) moved to London from Germany or the Low Countries, sometime before 1678. His career in London would span some 60 years and see him move from a jobbing engraver to a successful publisher of maps and atlases. He was part of the intellectual circle that gathered at Jonathan’s Coffee House, counting Robert Hooke, Daniel Defoe and Jonathan Swift amongst his acquaintance. Moll even provided a map for Defoe’s work ‘Robinson Crusoe’ showing the track of Crusoe’s supposed voyage, and is mentioned by Lemuel Gulliver in ‘Gulliver’s Travels'.
[BLAKE, William] SCHIAVONETTI, Louis The Grave, A Poem; Supplementary etched title page (Subscriber's Copy)
$1000
1808. First Quarto Edition. Single sheet (35.4 x 29cm) : plate impression 36.2 x 27.8cm : text and image after the design by William Blake. Light toning to edges; minor foxing to rhs; trimmed by 4mm to tail, no loss of image or text. Near fine. Item #14438 Title page of the First Quarto edition of Robert Blair's meditation on death and resurrection. Remembered today for having some of William Blake's most memorable designs. These were executed by Italian engraver Luigi Schiavonetti who was awarded the commission for executing the plates despite Blake having been asked to create the design.
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The first atlas on Mercator’s Projection
$1715000
The ‘Arcano de Mare’ is one the “greatest atlases of the world” (Wardington). This sumptuous atlas, first published in 1646 when its author, Robert Dudley, was 73, was not only the first sea atlas of the world, but also the first to use Mercator’s projection; the earliest to show magnetic deviation; the first to show currents and prevailing winds; the first to expound the advantages of ‘Great Circle Sailing’ – the shortest distance between two points on a globe; and “perhaps less importantly the first sea-atlas to be compiled by an Englishman, all be it abroad in Italy” (Wardington).
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