Highlights

Spectacular image of the most desirable and sought after images of the Gang-gang Cockatoo from John Gould’s, The Birds of Australia

Rare and important, early c.19th hand coloured engraved chart by Lieutenant James Grant who was given command of the Lady Nelson with the instructions to sail her to Sydney and hand her over to Matthew Flinders.

GIOVANNI BATTISTA PIRANESI (Mogliano Veneto 1720-Roma 1778) "VEDUTA DI PIAZZA NAVONA SOPRA LE ROVINE DEL CIRCO AGONALE" [THE PIAZZA NAVONA WITH S. AGNESE ON THE RIGHT] 1751 Etching DESCRIPTION: Original etching from the series "Vedute di Roma". "Veduta di Piazza Navona sopra le rovine del Circo Agonale" with Santa Agnese church at right. Piranesi first general depiction of one of the most emblematic corners of Rome, Piazza Navona, built on the ruins of the ancient Circus of Domitian (or Circus Agonale).NOTE: Life-time Rome edition on thick laid paper, fourth state of six, with address..

[Sydney?] : [G.J. Broinowski?], 1897. One of the rarest publications on Australian ornithology, one of only two known copies, the only one in private hands. In addition to its obvious desirability as an Australian colour plate book of almost unprocurable rarity, The avi-fauna of Australia is also meaningful insight into the debt Broinowski felt to Gould, and the respect he afforded the scientific community who contributed to our collective understanding of Australian ornithology. Provenance: Quentin Keynes (1921 – 2003), explorer, filmmaker, and great-grandson of Charles Darwin.

New York: Harcourt Brace Jovanovich, 1975. First edition. Octavo, boards in dust jacket, pp 241; a fine copy; the half-title is signed and inscribed by Warhol, accompanied by an original pen drawing by the artist of a Campbell’s Tomato Soup can, his most iconic image. Andy Warhol’s seminal self-analysing memoir, filled with his reflections of youth and society which help give an insight into one of the most enigmatic and magnetic artistic figures of the twentieth century.

A conchological labour of love: an attractive album of “shells from nature” by the talented watercolourist Hephzibah Abney (née Need, 1758-1841) and a record of the conchylomania that swept Europe in the late 18th and early 19th centuries. This is the only recorded example of Abney’s shell illustrations and has re-entered the market almost 50 years after its last appearance.

Oblong folio, lithographed titling-wrapper on cream paper, bound in as title-page as issued, twelve fine tinted lithographed plates, Very rare: one of the short sets of twelve elegant tinted lithographs that make up Troedel's Melbourne Album of 1863-4, "perhaps the finest work of urban topography produced in Australia in the nineteenth century" (Wantrup). Notable contemporary artists including Nicholas Chevalier, Eugen von Guerard, Edward Gilks and Henry Gritten contributed to the Album.

Sydney, Angus & Robertson, 1936. Demy octavo, small bookseller's label on front pastedown, very good in original bright burgundy cloth lettered in gilt on spine with Norman Lindsay dustwrapper, few blemishes but in uncommonly good condition. First edition. Second volume of Penton's unfinished trilogy. Published as Giant's Stride in the UK. Very scarce with the fabulous Lindsay dustwrapper.

First fully illustrated edition, one of 250 large paper copies issued in Britain with the illustrations specially printed on China paper and laid down; a further 25 copies were released in the US. This fine Rivière binding displays the very highest standards of the bindery’s craftsmanship.

The rare fourth volume of Pennant’s Outlines of the globe containing the large map of Australia, titled: Map For Mr. Pennants Outline of the Globe. Beautifully bound in striking contemporary hand painted tree calf

One of the most substantial archives of Foelsche’s work to have survived, this unique album contains a body of images of immense intrinsic importance and value, collectively forming a photographic record of the Larrakia, Woolna (Djerimanga), and Iwaidja communities at the close of the nineteenth century. Without question, Foelsche's portraits of Indigenous subjects taken in the Top End between the 1870s and 1890s are among the most visually compelling taken by any nineteenth-century photographer working in Australia in the colonial era.