Highlights

Phillip Lee 1865 - 1909 painted “romantic views of Australian scenery, notably coast scenes on the Illawarra Plains, the summit of the Bulli Pass, the Home of the Black-fish, Hawkesbury River, Fairy Bower, Manly, and the Blue Mountains." Refer SMH 27, March 1896. His painting 'Native Sports 1880' was acquired by the NGA in 1969. 'The Pass, Bulli 1898' and 'Cascades at Fitzroy Falls, Moss Vale 1898' were sold by the Bridget McDonnell Gallery in 2006.

Very rare, large c.19th hand coloured panorama of Brisbane depicting the wharves at Petrie’s Bight, from a vantage point near All Hallows School, by Albert Henry Fullwood (1863-1930).

Series of Friedlander's self-portraits taken over the course of six decades.

Exhibition catalogue. 44 wooden blocks housed in wooden case. Limited to 300 signed and numbered copies. Exhibited at the Municiple Gallery at the German Blade Museum, Sollingen, March 17 - April 28, 1996.

Stoker, Bram, Dracula, New edition. [1956]. London: Rider & Co. 12mo. Original red boards gilt in dustjacket; pp. 336 (last blank). Fraying to jacket, but a very good copy. This edition of the seminal vampire tale comes with cover art evoking the film portrayals, rather than the more abstract imagery of earlier jackets. The design closely resembles Christopher Lee’s classic interpretation, though it actually pre-dates his first appearance in Hammer Horror’s 1958 ‘Dracula’ by two years.

Oronce Fine’s famous double cordiform map of the world is acknowledged as being one of the most striking and influential world maps published in the c.16th.

With illustrations by H. K. Browne. Chapman & Hall, London, 1859. First edition in book form. Smith, Part I, 13, with all the internal flaws called for, but without the advertisement catalogue found 'in some copies'. *A Tale of Two Cities originally appeared in the weekly journal All the Year Round, from April 30 to November 26, 1859. It was also published in eight monthly parts (the last part being a double number), from June to December 1859. This was the final work illustrated by Browne for Dickens.

Duckworth & Co., London, 1907. First edition. *The author's copy, so stated in ink, presumably in her hand, on the upper free endpaper beneath the armorial bookplate of her third husband, Lord Headley. Human Toll was Baynton's only novel, and this copy is offered with the scissor-style lorgnette she used for reading, as recalled by her great granddaughter, Penne Hackford-Jones in Barbara Baynton: Between Two Worlds.

Volume I INSCRIBED, "To Geoffrey Hale from Winston S. Churchill 1955" (on the recto of the frontispiece) : Volume II INSCRIBED, "From Winston S. Churchill 1955" (on first blank) : autograph letter SIGNED from Clementine Churchill to, "My dear Doctor Hale" expressing her gratitude, "for all you did for my sister, not only during her last illness, but also for many years." (Chartwell, 13 February, 1955) : two Christmas cards from Winston and Clementine Churchill (one with autograph note from Clementine), and an invitation and order of ceremony for the presentation to Churchill on his 80th.

One of the most substantial archives of Foelsche’s work to have survived, this unique album contains a body of images of immense intrinsic importance and value, collectively forming a photographic record of the Larrakia, Woolna (Djerimanga), and Iwaidja communities at the close of the nineteenth century. Without question, Foelsche's portraits of Indigenous subjects taken in the Top End between the 1870s and 1890s are among the most visually compelling taken by any nineteenth-century photographer working in Australia in the colonial era.

Large colour folding sugoroku game, 93 x 125cm. This unique and visually rich sugoroku-style educational chart was published in 1927 in Shizuoka by Yamamura Azusa. Intending to present Japanese history through the lens of the imperial lineage, Yamamura sought to make the subject accessible and engaging for children by structuring it as a game. Using the familiar sugoroku board format, he transforms historical chronology into a path of progress, starting with the mythological creation of Japan by the sun goddess Amaterasu at the centre of the chart.